The Oncoming Storm is the second studio album by American metalcore band, Unearth. It was released on June 29, 2004 through Metal Blade Records. The album was produced by Killswitch Engage guitarist Adam Dutkiewicz, and was their first major release through Metal Blade Records.

If wanted to cover a classic hit, the logical choice would be 1960's 'Ain't That a Kick in the Head' -- not because sounds anything at all like the late Rat Pack crooner, but because does, in fact, feel like a kick in the head. Edius pro 7 free download full version. Mercy is not a high priority on this 2004 release, which demonstrates just how nasty, punishing, and downright vicious the metalcore style can be.

To fill in for the rest of the tour, of was recruited. They played in the with Seemless/Kingdom of Sorrow/studio drummer who has since joined the band officially. The band's live DVD was released on March 18, 2008, and debuted at No. 13 on the Top Music Video Chart, with sales around 1,800. It was also certified gold in Canada a week after its release.

'The Charm' 3:13 Total length: 47:14 Personnel [ ] Production and performance credits are adapted from the album liner notes of the 2004 version. Unearth • Trevor Phipps – • Buz McGrath – • Ken Susi – guitars, backing vocals on 'Endless', 'Lie to Purify' • John 'Slo' Maggard –,, guitars on 'Aries' • Mike Justian – Production • –,, • Alan Douches –, CD enhancement • Cory Kilduff – layout • Matt Hayes – layout • Aaron Marsh – layout • Grail – photos Charts [ ] Chart (2004) Peak position US 105 US () 6 US () 1 References [ ].

After Buz's return, Adam D from also filled in on drums for the last 2 months of the year. With Buz McGrath and new permanent drummer Mike Justian, of and previously band Hassan I Sabbah, Unearth released through on June 29, 2004. That summer, they played at and would later begin touring with,, and for 's United States tour.

'Failure' 3:12 3. 'This Lying World' 4:17 4.

If wanted to cover a classic hit, the logical choice would be 1960's 'Ain't That a Kick in the Head' -- not because sounds anything at all like the late Rat Pack crooner, but because does, in fact, feel like a kick in the head. Mercy is not a high priority on this 2004 release, which demonstrates just how nasty, punishing, and downright vicious the metalcore style can be. Some of 's riffing hints at thrash metal, but is a metalcore disc first and foremost -- and most of the bands that were part of thrash in the '80s and early '90s (,,,, among others) were not as harsh as. From Trevor Phipps' screaming vocals to the band's suffocating use of density, tracks like 'Black Hearts Now Reign,' 'Lie to Purify,' and 'Failure' pack a brutal punch.

For the nickname given to the character by the /, see. The Oncoming Storm by Released June 29, 2004 ( 2004-06-29) Studio Zing Recording Studios, Length 40: 36 chronology (2002) 2002 The Oncoming Storm (2004) (2005) 2005 The Oncoming Storm is the second studio album by American band,. It was released on June 29, 2004 through. The album was produced by guitarist, and was their first major release through. This was also their first album with drummer Mike Justian and bassist John 'Slo' Maggard, replacing Mike Rudberg and Chris 'Rover' Rybicki respectively. After its release, the album entered the album charts at number 105, selling 13,285 copies. A special edition of the album was released on October 18, 2005.

Contents • • • • • • • • • • • • History [ ] Early career (1998–2002) [ ] Unearth was formed by Trevor Phipps, Buz McGrath, Ken Susi, Mike Rudberg, and Chris Rybicki in in 1998. The band began as Point 04 (containing McGrath, Rudberg, and Rybicki), and Susi was recruited soon afterwards. The band attempted to recruit Phipps while he recovered from, but Phipps was reluctant to join. However, when Phipps showed up to a jam session for one of Susi's side bands, Unearth was practicing instead, and Phipps agreed to join after hearing the song 'Shattered by the Sun.' The name 'Unearth' was coined by drummer Mike Rudberg as he wanted the band to 'Unearth' a new sound in the metal and hardcore world.

Those who don't comprehend metalcore (which is definitely an acquired taste) might wonder why a disc that merits words like harsh, nasty, vicious, and punishing would appeal to anyone -- what do 's fans get out of such an album? Why would they appreciate and enjoy something that's so unmusical? And the answer is that for and other metalcore units, is all about the thrill of pure, raw exhilaration as well as emotional catharsis; Phipps' nonstop screaming is very cathartic for and their fans in the mosh pit. Falls short of remarkable, but it's a noteworthy, generally decent demonstration of metalcore's harshly exhilarating powers.